- I. Presentation: From art to Archive and from Archive to Art — Alejandra Wolff
- Disciplinary and Interdisciplinary Meetings: Who and how do they participate in the record and activations of the art documentation sources process
- II. Building knowledge and learnings from the private archive of the michoacan artist Alfredo Zalce — Yaminel Bernal Astorga and Luis Miguel García Velázquez
- III. The organisation and research in literature archives: The experience of Casa de la Literatura Peruana — María Rodríguez Jaime
- IV. When the archives do the research: The experience of networking and collaboration in the MSSA Archive — María José Lemaître
- Memory and Oblivion in the documentation policies: What and how do we select, preserve, systematize and disseminate artistic heritage
- V. Materials and methods for the drafting of the MSSA Archiving Policy — Isabel Cáceres
- VI. Imagoteca: la colección de imágenes sociales y políticas del CeDInCI. Reflections on its construction — Natalia Efron and Eugenia Sik
- VII. Archive reflections from the Documentation Centre for the Visual Arts / National Centre for Contemporary Art. — Paulina Bravo, Paola Letelier, Jeannette Garcés, and Isidora Neira
- VIII. Is there memory without looting? — Sol Henaro
- Memory and Oblivion in the documentation policies: What and how do we select, preserve, systematize and disseminate artistic heritage