Site Title: First Encounter of Art Archives

Yaminel Bernal Astorga, Luis Miguel García Velázquez, María Rodríguez Jaime, María José Lemaître, Isabel Cáceres, Natalia Efron, Eugenia Sik, Paulina Bravo, Paola Letelier, Jeannette Garcés, Isidora Neira, Sol Henaro, Isabel García Pérez de Arce, Patrizio Gecele Muñoz.
Presentation de Alejandra Wolff

Table of Contents

  • Table of Contents 
  • I. Presentation 
  • Disciplinary and Interdisciplinary Meetings: Who and how do they participate in the record and activations of the art documentation sources process 
    • II. Building knowledge and learnings from the private archive of the michoacan artist Alfredo Zalce 
    • III. The organisation and research in literature archives 
    • IV. When the archives do the research 
  • V. Materials and methods for the drafting of the MSSA Archiving Policy 
  • VI. Imagoteca: la colección de imágenes sociales y políticas del CeDInCI. Reflections on its construction 
  • VII. Archive reflections from the Documentation Centre for the Visual Arts / National Centre for Contemporary Art. 
  • VIII. Is there memory without looting? 
  • Memory and Oblivion in the documentation policies: What and how do we select, preserve, systematize and disseminate artistic heritage 
    • IX. From the document to the monument 
    • X. Frailty and Overruns: Open Archive of the Chilean Theatrical Scene 1983-1992 
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    Cite this Page
    Chicago “Memory and Oblivion in the documentation policies: What and how do we select, preserve, systematize and disseminate artistic heritage.” In First Encounter of Art Archives, edited by Alejandra Wolff. Santiago de Chile: Facultad de Artes, Pontificia Universidad Católica de Chile, 2019. /memory_and-oblivion-in-the-documentation-policies/.
    MLA “Memory and Oblivion in the documentation policies: What and how do we select, preserve, systematize and disseminate artistic heritage.” First Encounter of Art Archives, edited by Alejandra Wolff. Facultad de Artes, Pontificia Universidad Católica de Chile, 2019. /memory_and-oblivion-in-the-documentation-policies/. Accessed DD Mon. YYYY.
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    Memory and Oblivion in the documentation policies: What and how do we select, preserve, systematize and disseminate artistic heritage

    • V. Materials and methods for the drafting of the MSSA Archiving Policy — Isabel Cáceres 
    • VI. Imagoteca: la colección de imágenes sociales y políticas del CeDInCI. Reflections on its construction — Natalia Efron and Eugenia Sik 
    • VII. Archive reflections from the Documentation Centre for the Visual Arts / National Centre for Contemporary Art. — Paulina Bravo, Paola Letelier, Jeannette Garcés, and Isidora Neira 
    • VIII. Is there memory without looting? — Sol Henaro 
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